Troubled by forbidden feelings for his seven-year-old stepdaughter, Richard decides to leave his girlfriend. He retreats to his childhood home to renovate ahead of its sale, but his self-imposed exile is disrupted by the childlike presence of his mother's caregiver, Stella. He soon discovers her double life as a Lolita camgirl, and the two develop a transgressive surrogate father-daughter relationship. Their constructed reality begins to unravel when the stepdaughter he left behind reaches out.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
