Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

Cut Here is a story about two contrasting worlds and outlooks on life: the world of shallow consumer-ism and trashy mainstream, and the world of marginalized individualism. Nina puts on her best ‘self ’—expensive clothes, lots of makeup, etc.—and leaves her kitsch luxury home. Anna unchains her old bicycle and leaves her semi-derelict building. Nina almost crashes into Anna as she carelessly exits her garage with her girly car. She yells a couple of insults at Anna, and then both resume their journeys to their respective destinations. Their destinations will tell us a lot about the different directions in which their lives are moving.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
This fantasy movie released on Disney+ has strong topics and themes related to magic.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.