Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Eleanor Field and Cullen Landis are in love, but her father, Billy Bevan, objects because.... hey this is a one-reel comedy and we don't have time for things like that. After he sneaks past Bevan, the young couple decide to force the issue. The pastor next door has small pox, so they paint marks on each other's face. Bevan catches on and with the aid of a cooperative beat officer, he does his best to scare them.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.