‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Narration of one of the bloodiest episodes of the Mexican national history, The Tragic Ten, beginning when General Victoriano Huerta sent to kill President Francisco I. Madero, Vice President José María Pino Suárez and Senator Belisario Dominguez. The film recreates the moment of the execution at the hands of Huerta and his accomplices Bernardo Reyes, Félix Díaz and Manuel Mondragón.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.