An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

Two meticulous serial killers, each secretly documenting their crimes, believe they are alone until they discover evidence of one another. Curiosity turns into obsession as they begin a dangerous psychological game of manipulation, imitation, and cat-and-mouse. Drawn together by violence and an unsettling connection, their deadly rivalry blurs the line between love, control, and survival.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Looking back at the representation of different cultures in the magical world of Harry Potter
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.