'You Are SO Not Invited to My Bat Mitzvah'
Friendships are tested when two girls have a crush on the popular boy at school.

Charter-boat owner "Tex" Parker is framed on a murder rap by a gang of jewel-and-American currency smugglers operating from the coasts of England and France, with a mid-channel rendezvous. The smugglers use him, his boat and partner, "Soapy", to carry their goods back and forth across the English. During one of the trips, "Tex" is thrown overboard, but is picked up by a French fishing boat and the fisherman take him back to their village, Porte Soliare, where he meets Jacqueline. People who appear to be quite dead early on turn out to be not dead later on, and money and swag and goods keep changing hands with such regularity that, at one point, one guy is searching for something he already has (and doesn't know it), while another guy isn't searching for it because he thinks he has it...but doesn't.
Friendships are tested when two girls have a crush on the popular boy at school.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.