Thomas Crosky, known as Cross, a lonely policeman, learns that his wife, daughter and sister-in-law have been kidnapped by a criminal who has escaped from a psychiatric hospital.
Philippe Setbon
Director
Michel Sardou
Thomas Crosky, dit Cross
Roland Giraud
Eli Cantor
Marie-Anne Chazel
Catherine Crosky
Stéphane Jobert
Jacques Kester
Patrick Bauchau
Simon Leenhardt
Jean Barney
Le commissaire Regnier
Louba Guertchikoff
Diane Darney
Anny Mirande
Claire
Andréa Ferraz
Leslie
Arnold Boiseau
Farrel
Philippe Polet
Caïn
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.