Supergirl – the Bravery and Ferocity of Dark Feminine Energy
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."

Gardeners, veterinarians and breeders. And some imposing mammals capable of running at seventy kilometers per hour: the baths in the sun, the runway before the confrontation. And the money, the bets and the runners speed around a dizzying track.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like