With the Blood Moon hanging overhead and the Ghost Festival approaching, An Yunman suddenly returns from Shanghai to the An family residence in Xiwutong, western Hunan. Unexpectedly, her eldest and second brothers are murdered one after another by corpse-demons. Their father, An Bo, blames all the family's misfortunes on his third daughter, An Yunman, whom he believes to be a cursed bringer of disaster.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
