Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Crime à Ramatuelle poster

Crime à Ramatuelle 

Sébastien Lacassagne, 35, owner of a wine estate, was assassinated with a statuette in his house. The investigation conducted by Prosecutor Elisabeth Richard and Captain Caroline Martinez reveals many gray areas in the victim's life.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Sébastien Lacassagne, 35, owner of a wine estate, was assassinated with a statuette in his house. The investigation conducted by Prosecutor Elisabeth Richard and Captain Caroline Martinez reveals many gray areas in the victim's life.

Rating:
Genre:Crime, Drama, Mystery, TV Movie
Directed By:Nicolas Picard
Written By:Jean Falculète, Frédéric Faurt
In Theaters:
Box Office:

Runtime:91 minutes
Studio:Paradis Films, France•3

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger