The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

Shaw Brothers superdirector Li Han-Hsiang was particularly masterful in two genres: erotica and classic Chinese tales. He combined these two loves in this two-part examination of lust. The first story features an elderly jeweler's adventures with his unsatisfied wife, a handsome neighbor, and the neighborhood bordello. The second is a more modern tale of sex, lies, and videotape.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.