"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Tamotsu Iwaki (Masaya Kato), also known as "The Dandruff Cancer," was admitted to a juvenile training school in the summer when he was 18 years old after being hit with dirt on his car. At first he is at odds with Ginji (Shinobu Sakagami) and others, but eventually a friendship develops between them. One day, Gan escapes, falls in love with a beautiful girl, Kanako, whom he met at his friends' apartment, and attacks her in an elevator, but is captured again. After being discharged from the hospital, Gan meets Kanako again, and although they are repulsed by each other, they become attracted to each other.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.