Créateurs d’avenir 

This reboot of The Wonder Years is told from the lens of a Black man.

The Invite is witty, dramatic, funny, and probably the best comedy released this year so far. 

We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.

'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.

This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.

This Halloween movie is a remake of the 2003 movie of the same name with Black representation.