‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Three men. From different corners of the crime world: A hired gun, Musta; a con man, Cem; and a thief, Ali. By a twist of fate their paths crosses at Central Station and start to work as a team. But their past won't let them go too faraway...
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.