Alejandro Tazo, a 30-something Chilean, arrives at Nashville on a Greyhound bus from the West Coast. He has been mugged on board? Why is he here? How did he get here? What will he do in Music City?
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
