Ayaka, a beauty college student who loves makeup, is sexually assaulted by a self-proclaimed movie director, Kunijima, who she met at a club one day. Ayaka is mentally ill because she has to cry and fall asleep, but she gradually regains her ego by meeting Satomi, a graduate student, and Yumi, an apparel clerk. However, when Ayaka learns that Kunijima's next target is Yumi, she suddenly kills Kunijima, and while processing the corpse, she realizes that human blood is the ideal cosmetic ingredient.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
This horror movie combines elements of horror and babysitting with Black representation.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
