“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

How faithful are women really? That is the question that Guglielmo and Ferrando ask themselves in Mozart’s comic opera Così Fan Tutte. To answer it, they put their fiancées to the test by pretending to go off to war and a short time later returning in disguise with the aim of seducing each other’s betrothed. Fortunately, the Opèra de Lausanne has no time for such moral grandstanding. This new staging of Così is Jean Liermier’s second production for Lausanne after his My Fair Lady in 2015. Joshua Weilerstein, artistic director of the Orchestre de Chambre de Lausanne, pilots the orchestra through Mozart’s colourful score with Stéphanie Guérin (Dorabella), Robert Gleadow (Guglielmo), Valentina Nafornita (Fiordiligi), and Joel Prieto (Ferrando) in the roles of the tried and tested lovers.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
A film about family and sacrifice... and carnivorous locusts coming after you.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
This Netflix TV series is perfect for animal lovers as it is centered on human-dog bonding.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.