Why Joel Coen’s ‘The Tragedy of Macbeth’ is the Best Version
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.

Yeon-jeong is a girl crush who has a sexy body and good education. She became a team leader by beating up men her age. Yoo Ah-rin, an intern, keeps getting on her nerves. All she is, is a local university graduate, with a pretty face. A corporate slave! Feeling pity for Ah-rin, who is in charge of her bosses' chores, Yeon-jeong claims to be a shooter to protect Ah-rin from male employees, and Ah-rin, a new employee who thought it was a mugwort, starts to covet her things little by little. Ah-rin, a new employee who she only thought was an idiot, begins to covet her love affairs little by little.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.