Raymond Lewis: L.A. Legend Review
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.

Eléa lives with a serious medical condition which makes her skin extremely brittle. She needs constant care and monitoring. Her mother decides to fit her with BandaSmart, a connected bandage device that enables her to track her daughter’s health data on her tablet. But Eléa struggles with having to wear this “armor”. During a family outing in the park she offers to play hide and seek with her little cousin, then seizes the opportunity to shed the bandages and run off alone into the woods.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.