Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Coolie was one of the most hyped films of the year, with Rajinikanth teaming up with Lokesh Kanagaraj in a project that promised to be a mass entertainer. The trailers had fans eager to see how Lokesh’s style would blend with Rajinikanth’s presence. Expectations were sky high, but once the film hit the screens, the final product didn’t fully match the buzz.
The film follows Rajinikanth’s character who sets out to track down his friend’s killer. His journey begins on a revenge path, but along the way he meets Shruti Haasan’s character and the two of them get tangled in solving what initially looks like a simple case. The problem is the way this story unfolds. Rather than moving straight from point A to point B, the film drags us through Z, then X, then C, then N, and only eventually reaches B. A story that’s actually straightforward gets overcomplicated to the point of confusion.
A mysterious man takes a stand against a corrupt syndicate exploiting and abusing the workers of a port town.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.