It's 'A Loud House Christmas'!
This holiday movie serves as the prequel to the TV series The Really Loud House.

Director of detention, director Nowacki finds Sergeant Zawada, who is hiding from the world. An experienced officer returns to the game and gets a new task - he becomes the commander of the convoy, who is to transport a very dangerous prisoner to a psychiatric hospital. Members of his team are people with a complicated past. Among them is also Feliks, full of ideals, privately the husband of Nowacki's daughter, who should never have found himself in a prisoner. The prison director, having lost control of the convoy, chases to repair, and may hide the uncomfortable truth for him. The real purpose of the convoy is slowly coming to light. Conflicts arise between men and tension increases, with unexpected twists every minute. From now on, justice can be done on its own.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.