Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Convict 99 poster

Convict 99 

A disgraced school master, Benjamin Twist, is mistaken for a tough prison governor and assigned the charge of a prison for particularly hardened criminals. Believing he is being sent to a school rather than a prison, he celebrates accordingly only to find that his drunkenness accidently lands him on the wrong side of the prison bars. The Governorship is eventually restored to him, and he sets about popularising himself amongst the convicts by turning a blind eye to their shady dealings.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A disgraced school master, Benjamin Twist, is mistaken for a tough prison governor and assigned the charge of a prison for particularly hardened criminals. Believing he is being sent to a school rather than a prison, he celebrates accordingly only to find that his drunkenness accidently lands him on the wrong side of the prison bars. The Governorship is eventually restored to him, and he sets about popularising himself amongst the convicts by turning a blind eye to their shady dealings.

Rating:
Genre:Comedy
Directed By:Marcel Varnel
Written By:Val Guest, Ralph Smart, Jack Davis Jr., Cyril Campion, Marriott Edgar
In Theaters:
Box Office:

Runtime:91 minutes
Studio:Gainsborough Pictures

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso