Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

In a dystopia known as "Control" two citizens dare to rebel.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.