TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

Daniel, Juan Palomino is a security guard, he was once a policeman, and he would have liked to be a vigilante hero. But, far from it, his job is to take care of the buildings of others. The city will cross with Analía (Emilia Attias), a distant woman, obsessive and beautiful in a mysterious way. She avoids contact with men because she has been the victim of rape. That terrible past comes back when Julio, Esteban Meloni, a violent and obsessed man, gets out of jail. Between the three are weaving on the streets of the city a plot of passion and crime.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
Like most young people, Leviticus is imperfect. But I love it anyways.
When a US Army veteran returns home traumatized, he begins another battle with addiction.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.