'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Marco, a baron and art collector, long ago lost his wife and child in an accident and suffered a leg injury. With his current wife, Rita, he has a bad relationship due to his failure to fulfill marital obligations. Marco plans a deal to acquire a Goya painting, for this purpose he meets with consultants: Professor Meli and the second, in the role of director Alessandro Perella. At the suggestion of Professor Meli, Marco comes to stay for a few nights while his wife is away: the Countess and her niece Sissi, also a lover of fine art, as well as the young lover of the Countess Rudy.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.