Jihoon, the main character, guards the art museum alone. There is nothing for him to do other than sitting at the desk, answering phones, or organizing the museum. The museum is an empty space with only an Egyptian wooden coffin lying around. Only one or two people visit the museum a day. People who come are diverse, including women in their late 30s, Japanese, and middle-aged men. At night, visitors call the museum and make excuses for their deaths. Just three days after starting to guard the museum, Jihoon becomes distraught and crazy due to the strange energy of the wooden coffin and the museum and the incoming phone calls, so he quits working at the museum.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Four more classic horror films that are entertaining even if occasionally absurd.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
