Conditioning 

Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes. 

Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Cinderella has been adapted many times over, with the latest adaptation from Amazon sparking controversy over its girlboss agenda. But what of diversity? We rank some of the most popular adaptations for diversity.

The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.