"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

'What we did, right, was we broke open the pop market, right? To trad music, right? Irish trad music, yeah? Now what happened after that I don't know...' So confesses toothy, hard-drinkin' Shane McGowan, lead man with punk-folk megastars the Pogues, the band that has taken traditional Irish folk and ramshackle rock to the bright pop lights of Wembley. In this rather haphazard but proud spirit, the documentary, like the Pogues' career itself, continues: the band and the various famous rockers they've jammed with offering opinions and anecdotes in a surprisingly entertaining and often revealing manner. Even if you have absolutely no interest in the music, the vast array of pasty-faced uglies is really quite stunning.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
Like Stars on Earth is a representative movie that talks about dyslexia to young audiences and why it is important in today's generation.
‘Babylon’ is an exhilarating journey one has to brace themselves for
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.