'What we did, right, was we broke open the pop market, right? To trad music, right? Irish trad music, yeah? Now what happened after that I don't know...' So confesses toothy, hard-drinkin' Shane McGowan, lead man with punk-folk megastars the Pogues, the band that has taken traditional Irish folk and ramshackle rock to the bright pop lights of Wembley. In this rather haphazard but proud spirit, the documentary, like the Pogues' career itself, continues: the band and the various famous rockers they've jammed with offering opinions and anecdotes in a surprisingly entertaining and often revealing manner. Even if you have absolutely no interest in the music, the vast array of pasty-faced uglies is really quite stunning.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
