To their respective conservative Indian parents, Vir and Nitya are a happily married couple living in Parramatta, Sydney. They love to play the sitar together, she is a successful dentist, and he is studying for his accounting exam. However, as the cultural expectations ingrained into them from childhood start to take their toll, they both face challenges in their personal and professional lives. After reaching a breaking point, Vir comes out to Nitya about his sexuality, which causes a rift between them and brings shame to their families. Vir then decides to explore his own sexual identity with another man.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Looking back at the representation of different cultures in the magical world of Harry Potter
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
