
A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.