Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Charlie and Mitch arrive at Charlie’s mother’s home to come out of the closet as stoners. But Charlie's fear of being exiled drags out the process—until somebody is caught with their pants down.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.