Snow White, Rewritten in a Minor Key
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.

Puberty is an ordeal and a joy. Children become adolescents: how do they react to this development? With the help of four different short films, the Brit Roger Lambert succeeds in wonderfully fathoming this important time. In "Split" (1974), a boy with behavioral difficulties tries to make life bearable with imaginary aliens. In "I Want To Be Famous" (1976), it's Steve, the youngest and smallest in his class, who creates a fantasy world for himself until his best friend Stuart, down-to-earth and clever, forces him to face reality. "Follow You Follow Me" (1979) observes the vulnerable friendship between two boys: shy Joseph and confident Peter. But Joseph's father is Peter's father's employer. With "A Seaside Story" (1986) we meet again two friends, this time they are seventeen, who are vacationing together at the sea: the self-confident Martin and Sam, the dreamer. At a beachfront guesthouse run by an eccentric lady, the two have an unforgettable time.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
This Halloween movie is based on the toy line of the same name.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.