Is Netflix’s 'Single All The Way' the “Answer” to Hulu’s 'Happiest Season'?
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
Come and Get It (1936)
An ambitious lumberjack abandons his saloon girl lover so that he can marry into wealth, but years later becomes infatuated with the woman's daughter.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
An ambitious lumberjack abandons his saloon girl lover so that he can marry into wealth, but years later becomes infatuated with the woman's daughter.
Rating:
Genre:Drama, Romance
Written By:Jane Murfin, Jules Furthman, Howard Hawks
In Theaters:11/6/1936
Box Office:
Runtime:99 minutes
Studio:Howard Productions, United Artists
Cast
Howard Hawks, William Wyler
Director
Edward Arnold
Barney Glasgow
Joel McCrea
Richard Glasgow
Frances Farmer
Lotta Morgan / Lotta Bostrom
Walter Brennan
Swan Bostrom
Mady Christians
Karie Linbeck
Mary Nash
Emma Louise Glasgow
Andrea Leeds
Evvie Glasgow
Frank Shields
Tony Schwerke
Edwin Maxwell
Sid LeMaire
Cecil Cunningham
Josie
Charles Halton
Jed Hewitt
Articles You May Like
'Hysterical' is an Absolute Must-See of 2021
'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.
'Malignant': A Fun, Wacky Horror with Feminist Undertones
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
'Doctor Strange in the Multiverse of Madness': MCU Character Highlights and Easter Eggs
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
What Netflix's “Shadow and Bone” Gets Right and Wrong with the Books’ Diversity
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.