From Starmania to the blockbusters of the 2000s, from Parisian theaters to provincial concert halls, this documentary traces the invention of a French genre: the musical. A story of success, trial and error, and failed attempts, of cult songs and famous artists, of great moments and forgotten gems.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Korean culture shines in this Canadian export.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
