Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

ColOZio poster

ColOZio 

In 1994, Mexican presidential candidate Colosio garnered attention for his democratic ideology and anti-corruption stance until he was shot through the head in Tijuana. The wondrous ColOZio, which is partly based on true events, starts three days prior with a prophecy to tripping friends Diego and Gael: save Colosio from death. The duo's dancing in a kaleidoscopic animated, almost 10-minute-long title sequence subsequently sets the tone for a playful, delightfully over-the-top road movie. Expect mythical apparitions, cartoony chases and plenty of drink and drugs.
- / 5
PopScore
Representation

Pictures and Videos

Incluvie Gala

Movie Information

In 1994, Mexican presidential candidate Colosio garnered attention for his democratic ideology and anti-corruption stance until he was shot through the head in Tijuana. The wondrous ColOZio, which is partly based on true events, starts three days prior with a prophecy to tripping friends Diego and Gael: save Colosio from death. The duo's dancing in a kaleidoscopic animated, almost 10-minute-long title sequence subsequently sets the tone for a playful, delightfully over-the-top road movie. Expect mythical apparitions, cartoony chases and plenty of drink and drugs.

Rating:
Genre:Comedy
Directed By:Artemio Narro
Written By:María González de León, Artemio Narro
In Theaters:
Box Office:

Runtime:91 minutes
Studio:Cuarto Para las Doce, Distrito Films, Bias Post

Cast

Director

Artemio Narro

Director

noImg
cast

Diego Calva

cast

Orlando Moguel

cast

Hector Kotsifakis

cast

Flor Eduarda Gurrola

cast

Ignacio Perales

cast

José María de Tavira

cast

Ariane Pellicer

cast

Janet Ruiz

cast

Tina Fench

Articles You May Like

Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger