Brian Clarke is one of Britain's hidden treasures. A painter of striking large canvases and the designer of some of the most exciting stained glass in the world today, he is better known abroad - especially in Germany and Switzerland - than in his own country and more widely recognised among critics, collectors and gallery owners than he is by the general public. In this visually striking documentary portrait made by award-winning film-maker Mark Kidel, Clarke returns to Lancashire where he grew up as a prodigy in a working class family and charts his meteoric rise during the punk years and eventual success as a stained glass artist working with some of the world's great architects, including Norman Foster and Arata Isozaki - and producing spectacular work in Japan, Brazil, the USA and Europe. Contributors include his close friend and architect Zaha Hadid, architect Peter Cook and art historian Martin Harrison.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
