New Mean Girls
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.
Cold Ones (2007)
Every stranger has a secret in writer-director Garrett Clancy’s indie drama, also released as Dead Letters. Ten years after his first novel went down in flames, the hard knocks just won’t stop for K.C. Corcoran (C. Thomas Howell) - his girlfriend’s just thrown him out. K.C. hopes to get his life back on track by writing another book and heads to a remote mountain cabin to work on it … but the locals prove more hazardous than he could have guessed.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Every stranger has a secret in writer-director Garrett Clancy’s indie drama, also released as Dead Letters. Ten years after his first novel went down in flames, the hard knocks just won’t stop for K.C. Corcoran (C. Thomas Howell) - his girlfriend’s just thrown him out. K.C. hopes to get his life back on track by writing another book and heads to a remote mountain cabin to work on it … but the locals prove more hazardous than he could have guessed.
Rating:
Genre:Horror
Written By:Garrett Clancy
In Theaters:1/1/2007
Box Office:
Runtime:94 minutes
Studio:
Articles You May Like
Rejecting “The Prom”-posal
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
‘Sexy Beasts’ is Counterintuitive.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
Trans Representation Through Disney’s 'Mulan'
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.
The Naked Gun: New Squad on Fire!
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
The Case of 'Rise of the Pink Ladies' and 'A League of Their Own': Why Won't Hollywood Give Sapphic Shows Their Due?
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.