Coeval 

If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.

We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."

Four more classic horror films that are entertaining even if occasionally absurd.

Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.