An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
A man struggling with the death of his son agrees to coach his former high school basketball team.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.