We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Extra Big Dicks takes you deep into the world of Cock-Stalkers , the seedy underbelly of gay hook-up culture. One whiff of dick sends some men into a frenzy that will make them do anything to get a hit of that D. Following dudes into dressing rooms for an anonymous blowjob, creeping on college guys to get an invite into their dorm room, and rubbing one out in secret as your friend lies next to you in bed, no tactic is too sleezy if it means getting laid at the end of the day. For some, one hit isn’t even enough to satisfy them, their addiction turning to full-on obsession until they get another taste of that young hung spunk. Dimitri Kane, Luke Milan, Kory Houston, Angel Rock, Dylan Knight, and more star in five sleeze-filled stories about cock-obsessed creeps and their hung, unsuspecting prey. Watch these guys in real gay scenarios having really hot gay sex.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.