Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Hafiz, a Malaysian Coast Guard officer, is celebrating his engagement at a beach resort with his fiancee. Out of nowhere, a group of terrorists hijack the hotel and kidnap his fiancee and her family. Several guests are taken as hostages, while the others are brutally killed. Hafiz manages to escape with only a few injuries, and he quickly sets up a search-and-rescue mission to get everyone back safely.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
A direct fall into the white savior narrative
This article is about the popular 'High School Musical: The Musical: The series.'