Jakub, a young, small time drug dealer, wakes up to find the police storming the apartment building while his parents are both away on holiday. After flushing all of his "secret stashes" in the toilet, he finds out they are actually there to investigate the death of the girl upstairs, a close childhood friend of his and the family. He slowly retraces the past week that she has been lying dead in her flat and remembers that he asked her to "receive a package" unbeknownst to her from his drug dealer, Pexeso.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
