Karl-Heinz, a filling-station attendant, and his family, Herta, a retiree, Kurt, a drugstore branch manager, and Margot, a divorced man-hunter, have only one thing in common: they have booked a holiday at Club Las Piranjas, where they want to relax from their nerve-racking occupations. But there are three people knowing a way to prevent this. Most notably the two animators Edwin and Biggy, who don't allow any amusement outside their own plans, and of course the always drunken club chief Mrs. Wenger, whose only thought is, that there shouldn't be any reclamation from the travel agency. Apart from the scruffy condition of the Club (no water in the pool, etc). and the obscure Club activities involving Biggy and Edwin, the vacation becomes a complete horror trip, with only one end in sight, which is to part from the club as soon as possible. Written by Stefan Fey
Ulli Baumann
Director
Hape Kerkeling
Edwin
Angelika Milster
Biggi
Judy Winter
Renate Wenger
Michael Brandner
Karl-Heinz Schadletzki
Katharina Schubert
Hildegard Schadletzki
Hildegard Krekel
Margot Kemper
Tana Schanzara
Grandmother Schadletzki
Dorothea Walda
Herta Ludwig
Horst Krause
Kurt Becker
Christoph Ortmann
Oliver Schadletzki
Wilhelm Wieben
Flughafensprecher
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
Life may find a way, but is it worth testing its fierceness and how far it will go?