Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Clouds poster

Clouds (1970)

Asked about her artistic practice after her return to the United States, Hafif said: ‘I wanted to take a break from painting and try out other creative methods. So I bought a Super 8 camera and photography equipment. The first film I produced was the best I ever made. I shot on black-and-white stock and kept the camera trained on a single cloud for three minutes. The cloud slowly changed shape and floated away.’ In the cloud, Hafif seized on a motif with a long tradition in the history of painting. The film’s ‘action’, too, prompts associations with painting: the sky appears as a ground on which the clouds stirs like a mass of paint applied with a brush. A bird crossing the screen anchors the scenery in the specific filming location: California’s Pacific coast.
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Asked about her artistic practice after her return to the United States, Hafif said: ‘I wanted to take a break from painting and try out other creative methods. So I bought a Super 8 camera and photography equipment. The first film I produced was the best I ever made. I shot on black-and-white stock and kept the camera trained on a single cloud for three minutes. The cloud slowly changed shape and floated away.’ In the cloud, Hafif seized on a motif with a long tradition in the history of painting. The film’s ‘action’, too, prompts associations with painting: the sky appears as a ground on which the clouds stirs like a mass of paint applied with a brush. A bird crossing the screen anchors the scenery in the specific filming location: California’s Pacific coast.

Rating:
Genre:Documentary
Directed By:Marcia Hafif
Written By:
In Theaters:1/1/1970
Box Office:

Runtime:4 minutes
Studio:

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