Keith, Anna and their son Peter are a close, loving family living in a smart suburban street of a provincial city. Anna is a typical middle-class housewife, filling her day with good works, until one day, when she finds a note that leads to a shattering discovery - her husband has been having an affair. Anna's intense shock at finding out Keith's secret is compounded when she arranges to meet his lover. When Steve arrives at the meeting place, Anna is forced to accept the fact that Keith has been leading a double life for the length of their marriage. Steve stresses the risk of AIDS and urges Anna to have an AIDS test. To show her what it can be like to live with the disease, he introduces her to Jim, who needs 24-hour care and has developed a realistic attitude towards his own death. When Keith leaves home suddenly, Anna is forced to tell her son about the threat of HIV, but Peter turns violently against her and runs away.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
A science fiction movie brings a strong diverse cast and adventure in outer space.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
A story of a magical dragon brings great representation for Chinese culture.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
