'Merry & Gay': A smart and heartfelt LGBTQ Christmas venture
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.

Shot over the course of two years, Closer Than That finds the members of Duluth "slo-core" band Low (Alan Sparhawk, Mimi Parker, and Zak Sally) going through old photos, enduring awkward press interviews, serenading the baby, navigating traffic jams, and occasionally coming across observations on music, spirituality, and life. Director Marc Gartman traveled with them on tour across the US and Europe, capturing not only Low's performances, but also quiet moments backstage and in transit between gigs. Before one of their European shows, Alan is asked how the band would like to be introduced. He answers, "slow...quiet...really nice people with a baby." This video document gives us a glimpse of the very real, understated folks behind the great minimal rock band.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.