Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Close Your Eyes Hind poster

Close Your Eyes Hind 

In the midst of the war in Gaza, 5-year-old Hind Rajab and her family seek safety. To escape reality, they dance to loud music in the car. Their flight is abruptly stopped by an Israeli tank that opens fire without warning. Trapped in the car, surrounded by tanks, the girls try to hold on. They comfort each other and dream out loud about a future that seems increasingly distant. They keep in touch with the emergency services, who promise to rescue them as soon as the army gives permission. What began as a search for safety ends in a tragedy that exposes the core of the war.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In the midst of the war in Gaza, 5-year-old Hind Rajab and her family seek safety. To escape reality, they dance to loud music in the car. Their flight is abruptly stopped by an Israeli tank that opens fire without warning. Trapped in the car, surrounded by tanks, the girls try to hold on. They comfort each other and dream out loud about a future that seems increasingly distant. They keep in touch with the emergency services, who promise to rescue them as soon as the army gives permission. What began as a search for safety ends in a tragedy that exposes the core of the war.

Rating:
Genre:Drama, War
Directed By:Amir Zaza
Written By:Amir Zaza
In Theaters:
Box Office:

Runtime:32 minutes
Studio:MATTAR Productions, Oxfam Novib (Netherlands), The Rights Forum

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger