Clinton, Inc. (2016)

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.

The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.

Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.