'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.

Edited entirely using on-board VCR controls (fast-forward, rewind, pause, play), this video uses material culled from a trance music video and a car factory documentary, set to a remix of a remix of Toto's Africa. The cyclical, inhuman machinery of a factory, repetitive and heavily structured commercialized music, and the cyclical degradation and inevitable destruction of image and meaning under capitalism. An experiment in low quality.
A dynamic journey of self-acceptance and identity.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.