"Exhibiting Forgiveness" Exhibits Excellence
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”

Bruce Edwards returns to his hometown to take possession of his late father's estate, but Sam Willetts presents him with documentation proving that Mr. Edwards traded the estate for worthless swampland. Bruce takes a job in the village tavern and romances June Gordon, whose mother suspects Willetts of foul play. When Willets falsely accuses Bruce of theft, the young man escapes. Bruce later regains his father's estate by convincing Willets that the swampland is valuable for manufacturing purposes. Afterward, June and Bruce leave on their honeymoon.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.